Jeff Young will join Music for All in January 2022 as Director of Camps, directing and overseeing the Music for All Summer Symposium and initiatives to expand Music for All’s camp offerings.
Mr. Young will be part of the Music for All staff in the organization’s Indianapolis headquarters. He previously taught science at Carmel HS., IN, where he was also the visual caption head for the Grand National Champion Carmel marching band.
Headquartered in Indianapolis, Indiana, Music for All, Inc. is a nonprofit, 501(c)3 educational organization that presents more than 60 programs and events across America annually and is a voice advocating for music and arts education in all scholastic environments. Over the past 18 months, Music for All has also launched several webinars and podcasts serving current and future music educators.
“After a long and fulfilling career working at Carmel High School, I am extremely excited to step away from full-time teaching and join the team at Music for All,” says Young. “I will work to ensure the success and sustainability of educational camps, including the Summer Symposium. I have immensely enjoyed working with the Summer Symposium staff and students, which has been arguably my favorite week of the year for more than 15 years. I’m honored to embark on this new adventure with Music for All, creating positively life-changing experiences for students and directors from all over the country.”
“Jeff Young has been a core part of Music for All’s educational team as the coordinator of our Summer Symposium marching band division and member of the Bands of America Honor Band in the Rose Parade faculty,” says James P. Stephens, Director of Education and Advocacy for Music for All. “As Director of Camps, Jeff brings his knowledge and expertise to our preparations for our flagship Summer Symposium while steering our plans for additional camp offerings in the future.”
On this GivingTuesday, November 30, Music for All is celebrating our return to in-person events!
GivingTuesday was created in 2012 as a simple idea. A day that encourages people to do good. Music for All has joined millions of others across the globe each year on the Tuesday after Thanksgiving to encourage our supporters to give, collaborate, and celebrate generosity.
In September of 2021, after 22 months of not being able to hold in-person events, this fall, more than 90,000 high school musicians from around the country performed LIVE again at the Bands of America Championships. And yet the hard work of recovery and rebuilding is not yet done!
Today we ask for your support and donations to allow us to provide our free educational resources and advocacy resources. Your gift allows us to serve our mission through future educational programming and helps Music for All thrive and provide positively life-changing experiences for many years to come.
Music for All asked students and special guests to share why music education is important them them. Watch our playlist to hear how Music Makes a Difference:
INDIANAPOLIS – Music for All is pleased to welcome D’Addario, the world’s largest manufacturer of musical instrument accessories, as Program Sponsor for its 2022 Bands of America Honor Band in the Rose Parade®.
“We are thrilled to have D’Addario join Music for All’s family of sponsors that support our mission to create, provide, and expand positively life-changing experiences,” said Jeremy Earnhart, President and CEO of Music for All.
"We're excited to partner with Music for All and support the incredible young musicians that participate in their programming, including the 2022 Bands of America Honor Band," says Kyle Thomas, D'Addario's Education Marketing Manager. "Music for All's mission aligns well with our own and we're looking forward to collaborating with their team to inspire performance for generations to come."
D’Addario’s sponsorship will support Music for All and its 2022 Bands of America Honor Band in the Rose Parade. The BOA Honor Band is a 350-piece national ensemble with winds, percussion, and a flag and dance team. Richard Saucedo, composer, conductor, and retired director of the national champion Carmel H.S. (IN) marching band, will direct the 2022 BOA Honor Band. Music educator, conductor, and adjudicator David Starnes, Director of Orchestras at Kennesaw Mountain H.S., GA, is Program Coordinator.
Music for All’s advocacy efforts help to ensure access and opportunity to music education for America’s children in their scholastic environment. Music for All’s programs and events include the Bands of America Grand National Championships and Regional Championships for marching bands; the Music for All Summer Symposium camp for students and teachers; the Music for All National Festival for bands, orchestras, choirs, and percussion and chamber ensembles; Affiliate Regional Music Festivals held across America; and national student honor ensembles including the Bands of America Honor Band in the Rose Parade® that will march for the fifth time in 2022.
Music for All is grateful that weather conditions allowed completion of the entirety of the Preliminary Competition at the Bands of America Regional at McAllen, TX on Saturday, September 18. Working together with the Fire Marshall to assess conditions and toensure the safety of the student performers, we suspended preliminary performance due to extreme temperatures with eight groups remaining to perform in prelims. We resumed preliminary performances at 7:30 p.m. which allowed all the bands an opportunity to perform in the event but did not allow for a competition. We would like to thank all involved in ensuring the safety of band members, spectators, and staff.
The overriding ticketing policy for Music for All/Bands of America events is that tickets are “non- refundable.” Nevertheless, where extraordinary circumstances, like severe weather, cause the cancellation of all or a substantial portion of an event, Music for All has established refund polices for that event and offered full or partial refunds as appropriate.
We request that our patrons note that the costs of the event (stadium rental, stadium personnel, judges’ fees and other expenses) were still incurred and paid by Music for All. We invite you to consider foregoing any refund, and instead donate the value of your refund in support of these expenses. Thank you in advance if you choose to donate your refund, and we will provide you with an acknowledgement of your charitable contribution.
Following are Music for All’s policies concerning ticket refunds for the 2021 Regional at McAllen, Texas:
Day-Pass – $8 refund
Unused Adult Finals Ticket - $18 refund
Unused Discount Finals Ticket - $15 refund
To request a refund, please email your name and email used to purchase ticket as well as the eight-digit purchase number to:email@example.com. Refund requests must be received by October 4, and will be processed by October 31, 2021.
Should you have any questions or concerns regarding our refund policies for the 2021 Regional at McAllen, please do not hesitate to contact us at 800.848.2263.
Music for All is excited to return to its live music performance events with the 2021 Bands of America Championship season, starting September 18. Music for All has announced it will require all salaried employees and contracted personnel to be vaccinated against COVID-19 prior to attendance at the 2021 Bands of America Championships.
“The safety and well-being of thoseattending Bands of America Championships continues to be a top priority for Music for All,” the organization says. “Getting vaccinated is one of the most important ways to keep ourselves and our communities healthy. To ensure we get back to making music and enjoying performances together safely, and based on the latest recommendations of scientists, health officials, and authorities that the COVID-19 vaccine provides the best protection against severe infection, Music for All is requiring that our employees and contractors at BOA events be fully vaccinated.”
Music for all will follow local requirements for safety and policies for event spectators. Policies and guidelines will be posted on marching.musicforall.org prior to each event.
Music for All has determined we will be unable to hold an in-person Summer Symposium in 2021 due to the ongoing COVID-19 pandemic. Please watch the full statement above, or read the transcript below.
FEB. 25 2021 – INDIANAPOLIS, IN – On behalf of our Music for All staff and board of directors, I hope that you and your family are well.
We know that this continues to be a difficult time for families, students, and teachers. However, this virus will not change student ability to grow and learn. Music for All is committed to providing experiences that help build resiliency and joy.
While this pandemic crisis presents challenges, it has also reminded us of the precious gifts of family, the boundless promise of children, and provided us with the opportunity to find new ways to serve students and teachers.
Music for All places the safety and well-being of our camp community and everyone associated with our programs and events as the highest priority.
Music for All has decided not to hold our Music for All Summer Symposium in 2021. We arrived at our decision in cooperation with our camp directors and coordinators, considering, including:
We did not make this decision quickly. It is based on input from health experts, program leaders, and Music for All’s decades of experience managing a successful camp.
There is hope! The data trends, and information related to the vaccination and mitigation efforts are encouraging. At Music for All, we are busy preparing for an exciting Bands of America Championship season this fall with 24 Regionals, Super Regionals, and the Grand National Championships.
We are also working on virtual summer learning experiences that will offer engaging and meaningful earning offerings. Stay tuned for those details in the coming weeks. You can sign up for updates at camp.musicforall.org.
On behalf of all of us at Music for All, I hope you have a safe and successful finish to this school year. We hope to see you at Bands of America this fall, and at our summer offerings in a few months!
Before becoming the renowned performing arts and STEM school that it is today, I.M. Terrell High School was a secondary school located in Fort Worth, Texas. The school opened in 1882 as the city's first public school for black students, during the era of formal segregation in the United States. The school was renamed I.M Terrell High School in 1921, in honor of the former principal. Under the legacy of G. A. Baxter, the music program in the mid-20th century produced many of the prominent jazz and rhythm and blues musicians of that era.
Since then, the school has been through extensive remodeling and expansions and is now the home of the I.M. Terrell Academy for STEM and VPA (Science, Technology, Engineering, and Mathematics and Visual and Performing Arts).
The campus combines the original historic school building with a new 65,000-square-foot performing arts center (PAC), connected by a unifying courtyard. It sits atop a hill with beautiful downtown views and is a beacon for the District and the community.
The PAC, featuring a 900-seat theatre, was a focal point, built to serve the many students focused on theatre, music, and other fine arts within the school, but to also serve the surrounding community.
The PAC expansion team included the school’s administration, Corgan Architects, WJHW Theatre Consultants, Batts Audio, Video and Lighting, Turner Construction and Wenger Corporation.
It was important to preserve the historical nature of the century-old school everywhere except the new performing arts center. The new center would house the latest technology and top-notch equipment to best serve the needs of the variety of performances held there.
“We have other performance venues in Fort Worth, but this would be the perfect size not only for the school but for the district and the community. We have various arts organizations that are always looking for affordable space,” said Christina Walk, Head of Visual and Performing Arts at I.M. Terrell. “We worked with community partners who all agreed that the acoustics were important to make every type of performance sound great.”
“We met with all of the different groups who would be using the space,” explained Jason Mellard, Architect with Corgan. “We talked with every teacher, fine arts directors, music directors and anyone to make sure we met their needs.”
WJHW recommended installing a Wenger Diva® Acoustical Shell with a maple veneer finish. The shell has ten towers and three rows of ceilings.
“We coordinated and communicated frequently with the theatre consultants and structural and mechanical engineers,” Mellard said. “We needed to make sure we supported the weight properly, provided power where it needed to be, and coordinated with the contractor to ensure conditions were correct before installing the shell. There’s always that nitty-gritty detail of the specific dimensions to ensure everything lines up perfectly.”
“The shell can be set up in any configuration very quickly and very safely,” said Director of Dance and Theatre with the Fort Worth Independent School District. He loves having a new space with the latest technology to use at the school and share with the community. “To be able to tuck those large units up into the fly loft when not in use is pretty amazing.”
As the shell was being designed, Mark Batts, CEO of Batts Audio, Video and Lighting (AVL) suggested the move away from incandescent lighting. He recommended multi-colored lighting in and around the stage area.
“Being able to bring them multi-colored LEDs made an impact, Batts said. “One of the first performances they hosted in that space was the United States Air Force Band. The combination of the color and some moving heads that we installed provided an extra bit of flare.”
Batts says they also installed accent strips that provide another unique element.
“I love having the opportunity to bring those fun things into spaces,” he said. “You want your client to say, ‘Wow, I’ve only seen this on Broadway.’ That’s your highest compliment.”
Batts also managed the theatre’s rigging, choosing J.R. Clancy products across the board. They installed three Titan® Hoists, 28 PowerLift® Hoists, a fire curtain line shaft hoist, and a SceneControl 15 with a remote operating pendant.
“We really appreciated that Wenger was very deliberate in making sure we knew how things worked,” said Tim Brendler, Head of the Visual and Performing Arts Department. “Our entire team appreciated that they walked us through every element and possible configuration. The flexibility that it affords us is wonderful.”
The stage includes a custom-designed STRATA® Orchestra Pit Filler, which can be quickly installed with only a small crew. It provides strong support above and open space below with an innovative column-beam design. The acoustically dampened decks fit snugly against the stage to create an extremely quiet, integrated surface.
A Black Box Theatre provides a separate, smaller performance space where Wenger’s StageTek® Seated Risers and Staging equipment can be configured in a variety of ways. There is also a portable sound system with different places to plug in the speakers and LED lighting with a dimmer rack to set the mood for any given performance.
“We can host a larger audience by placing seated risers around the entire room and then performing in the round,” Brendler said. They have hosted robotics competitions and small theatre productions, too. Similar to the shell in the theatre, he says the flexibility of the risers is key.
“It’s great to have so many different levels,” he said. “When hosting show choir competitions, it is great to be able to quickly and easily manipulate the configuration.”
The new wing also included band, orchestra, and choral rooms.
The band room houses Wenger Nota® chairs and Roughneck music stands, AcoustiCabinets® that line the walls for instrument storage, and four Soundlok® Sound Isolation Rooms with VAE® technology for individuals and small groups to practice.
The rooms are 25 percent quieter than others and have the correct amount of absorption and diffusion so the musician can clearly hear the best possible sound. Virtual acoustics allow students to hear themselves play in different performance spaces and get immediate feedback with record/playback during the practice session.
“When the students are in school, those rooms are used all day every day,” explained Brendler. “They give the students a safe space where they can practice in private. The record, playback, and other capabilities are fun and give them extra incentive to get their practice time in.”
There are already plans to add instrument repair and piano tuning classes which could be held in the ensemble rooms.
The nearby choral room includes a whiteboard for teacher notes, Nota chairs, StageTek risers, Rack ‘N Roll® Garment Racks, four more Soundlok Sound Isolation Rooms, and eight music library units.
Sound and video systems in the choral and band rooms have integrated processors connecting them with each other as well as the auditorium. If they host a large program or competition, the performers waiting in the band room can hear and see what’s happening in the auditorium to gauge when it’s their turn to perform.
“Everyone loves these rooms dedicated to the band, orchestra, and choir,” said Walk. “They were well designed, and the windows offer spectacular views of downtown Fort Worth.”
The new PAC is stunning and impressive by all accounts. Wide hallways lead to generous specialty classrooms with all of the latest technology and useful equipment. Everything about it is impressive.
“The community loves it. The symphony plays there, the opera plays there and the Texas Ballet Theater plans to return with their annual Nutcracker performance. When it opened, it was always packed and has made a tremendous difference for the district and the community,” said Mellard.
“The Diva shell and the variety of spaces enable us to do what we love: collaborate to a higher degree at a professional level,” said Brendler.
And the extra effort to get the sound right was well worth it.
“Everyone loves this space,” said Walk. “If it didn’t have excellent acoustics, it wouldn’t have been worth building. In this hall, everything sounds great.”
Many of us are taxed from online learning. It is an unavoidable situation that has many educators reinventing music classes from the ground up. If you’re craving a taste of “normal" opportunities for your students, Music for All has spring semester educational experiences that can help.
Music for All is offering opportunities for schools to perform live from their home communities and share the amazing things your students are creating with the world. This past fall, participating ensembles in our Live Showcases valued the opportunity to perform this fall sharing scholastic performances from around the country through our online viewing platform. Each performance was broadcast in real time on video.musicforall.org so families and communities could see what their students were able to accomplish.
For many schools, COVID-19 safety guidelines prevent the gathering of an audience to see what great work your students are doing. Music for All’s Live Showcases provide a way to share your performance safely with audience members across the country.
With the same equipment you use to conduct virtual classes, you can stream your performance to Music for All. Music for All can take a stream from your school via phone, tablet, or camera and broadcast it to an audience through video.musicforall.org. This is not a pre-recorded video take. This is live, in the moment.
We think it is important to provide an opportunity for students to get that pre-performance flutter, energy, and experience that only comes with live performance. Plus, you can share this opportunity with parents and community members so that they can enjoy what your students have worked so hard to achieve. Best yet, supporters can watch from their homes in a safe environment.
We know that everyone has different restrictions, rehearsal times, number of students, and opportunities. Music for All believes in the importance of sharing your successes – no matter what that looks like this year. This is important not only for your students, but for the community and world to see that music education is alive and students and teachers are working together to do amazing work.
Every ensemble has the opportunity to receive evaluator feedback on their performance opportunity. A panel of three renowned music educators will be selected to provide audio feedback about your group’s performance. They will be watching your performance live as it happens and recording real-time feedback that will be sent to you just a few minutes after your performance is complete.
Music for All Live Showcases are $100 for a 15-minute performance opportunity.
Adding performance evaluation brings the total cost to $275 for a 15-minute performance and feedback from three evaluators.
Tickets for spectators are $15 per household or device. Purchasing a “ticket” is the equivalent of purchasing one login, so you can watch solo or as a household.
Enroll your ensemble today at instruction.musicforall.org!
The Patrick John Hughes Parent Booster Award recognizes the extraordinary commitment, dedication, support, and sacrifice of music parents and boosters across the nation by shining a spotlight on a recipient who exemplifies these qualities.
The award is named in honor of Patrick John Hughes, the father of Patrick Henry Hughes. Patrick Henry is a remarkable young man who, despite physical challenges that would seem overwhelming to many, has excelled as a musician and student, singing and playing piano and trumpet with the Louisville Marching and Pep Bands, with the help of his father, who tirelessly maneuvers his son’s wheelchair through the formations with the other 220+ members of the Cardinal Marching Band.
During Music for All’s Live Pledge Event on November 14, 2020, the 2020 Patrick John Hughes Parent Booster award was awarded to Bill Montgomery of Bellbrook High School, OH.
Mr. Montgomery has been a dedicated volunteer with Bellbrook High School in Ohio since 2005 when his daughter joined the band as a flute player. Over the last fifteen years, he has served as trustee, chairman, and pit dad. No matter his role, Bill has always been there for every single musician at Bellbrook. His fellow band boosters say Bill genuinely cares about the kids in the band - he learns their names and what they play, and he always has a high five and words of encouragement for them.
Bill is Bellbrook’s resident master pizza maker, an essential aspect of Bellbrook band’s concession stand fundraising efforts. Beyond this culinary duty, Bill volunteers his time to build props, attend parades and competitions, and train new pit dads. Bill is known for taking new volunteers under his wing to show them the ropes and make them feel welcome. His humble, passionate work ethic sets the tone for other parents and volunteers.
“Year after year, the Bellbrook Band has been the fortunate beneficiary of Bill’s extraordinary character and true selflessness. I am lucky indeed to know him, and even luckier that he chooses to spend his valuable time working for this organization,” says Barbara Siler, director of bands at Bellbrook High School.
Congratulations Mr. Montgomery!
Music for All has announced that Eric L. Martin will be the first inductee into the newly-named Music for All Hall of Fame.
Providing more than 25 years of continuous service, Eric L. Martin was the Chief Executive Officer of Music for All (MFA). Mr. Martin served first on Music for All’s Board of Directors, followed by positions as MFA’s Associate Executive Director, then Executive Vice President and Chief Operating Officer, until being appointed as CEO in 2010, a role in which he served until April 2020. He currently serves as Interim President of ScholarshipAuditions.com.
During his tenure as Music for All’s CEO, Mr. Martin championed initiatives that strengthened the organization’s fiscal position, expanded its organizational capacity, and consistently increased the number of students, teachers, and others directly served by Music for All.
Mr. Martin is a member of several Indianapolis and Indiana boards of directors. He is an honors graduate of Dartmouth College. He also holds a Juris Doctor degree from the University of Michigan Law School and has been admitted by exam to the District of Columbia and State of Georgia bar associations.
A Certified Festivals and Events Executive, he is Past Chairman of the Board of Directors of the International Festivals and Events Association and an inductee into the Miller Brewing Hall of Fame, the highest honor awarded by IFEA. In August, Mr. Martin received the 2020 Outstanding PAS Supporter Award from the Percussive Arts Society.
Prior to joining Music for All, Mr. Martin earned national event production credits for some of America’s largest events, including the 1996 Atlanta Paralympic Games, the World University Games, San Francisco’s Chinese New Year Parade, Philadelphia’s Bicentennial Parade, and the “Operation Welcome Home” Ticker Tape Parade in New York, celebrating America’s victory in the first Persian Gulf War. In 1993, Mr. Martin won a Regional Emmy® for his production of the Martin Luther King, Jr. National Holiday Parade on SuperStation TBS.
A native of Greenville, MS, Mr. Martin participated instrumental music programs throughout high school and college. In 1971, he was one of the first African Americans inducted into the Greenville High School Hall of Fame.
Music for All’s Bands of America Hall of Fame debuted in 2003, recognizing individuals who have had a positively life-changing impact through Music for All and Bands of America programs, as well as in music education. With Mr. Martin’s induction on Saturday evening, November 14, the Hall of Fame will be renamed the Music for All Hall of Fame, signaling a widening to recognize leaders in all areas of scholastic music.
Mr. Martin will be recognized as an inductee during an online broadcast, All Together Now!, a live pledge event benefitting Music for All’s educational programs. The show will include the virtual induction ceremony, alongside special performances, celebrity messages of support, and awards ceremonies that typically occur during Music for All live events.
The live pledge event takes place on Saturday evening, November 14, from 6:00-9:00 PM EST, on what would have been the evening of the Bands of America Grand National Championship Finals in Lucas Oil Stadium. The broadcast will take place online at musicforall.org/alltogethernow. The Grand National Championships and all Bands of America and Music for All events were cancelled in 2020 due to pandemic health and safety concerns.