Penrod was on Saturday and I can tell you that I haven’t stopped thinking about these responses. I find it reassuring that there are so many people out there (and in my community!) that feel the same way about music as I do. I know that there are people across the country that feel this way as well.
So today as you take a break from work, from school, from rehearsal, your busy life in general, read through the repsonses again on why people at the Penrod Art Fair in Indianapolis, Indiana believe.
And then? Tell me why you believe.
It's the last day of the Music for All Summer Symposium, presented by Yamaha. It’s hard to believe we’ve reached the last day of camp – the week has really flown by!
I want to back track for a moment and talk about last night’s Drum Corps International show and the marching band track students’ performance with Carolina Crown. The Summer Symposium offers marching band students the unique opportunity to rehearse and perform with Carolina Crown Drum and Bugle Corps at a major DCI show. Marching band students spent the week learning drill sets and music from Carolina Crown’s show, and performed with the corps last night at Scheumann Stadium. They sounded wonderful! Students also played the national anthem at the start of the show last night. What a cool experience – playing for that many spectators in the stands! I was really proud of the marching band students, and they had a truly amazing performance.
Today is a special day for each of our campers as final performances are taking place. Parents, friends and family arrived on campus this morning for the Parent Breakfast in the Atrium of the Arts and Journalism Building. Parents had the opportunity to learn more about what their students have been up to this week, and they had the opportunity to listen to Fran Kick, Leadership Division Coordinator, say a few words. Eric Martin, President and CEO of Music for All, spoke as well.
Final performances are under way now and will continue throughout the day. The Orchestra, Concert Band and Percussion Ensemble performances started at 9:00 a.m. and will continue through 11:30 this morning in Sursa Hall in the Music Instruction Building. And, the Drum Set Development Class and Jazz Bands have their performances in Pruis Hall starting at 10:00 a.m. and running through 11:30 a.m.
The Community Day Picnic will be happening from 11:00 a.m. to 1:00 p.m. today. Families can enjoy a picnic in Worthen Arena with the full camp, faculty and staff. Then final performances continue starting at 1:30 p.m. with Color Guard, Marching Percussion, Marching Band and the Drum Major March Off.
After final performances, camp is officially over. What a week it has been! Enjoy the final performances!
Today's blog is written by Erin Fortune, Music for All's Participant Relations Coordinator.
It’s hard to believe that it is already Friday of camp week. What an exciting week it has been. We saw nearly 1,000 students and directors on the campus of Ball State – all eager to share ideas, learn and come together in support of music making. Today, as I cover the MFA Headquarters, answering questions and phone calls from directors, clinicians, students and parents; I think about how awesome it is to be here in Muncie, Indiana and a part of this camp.
Yesterday was definitely a busy day for me but it was also one of the best. The morning was spent running around getting prepared for the Tournament of Roses® BOA Honor Band Luncheon, where we brought together currently accepted students and students who were interested in applying to be a part of the band. It was pretty amazing to see that we have 21 students at camp who will be joining us for the parade in January!
Some people don’t realize, but in addition to the 7 student tracks we have at camp we also offer a Directors’ Track and Color Guard Instructor Academy. Throughout the week, the directors can choose from different sessions to attend like “Competition and the Instrumental Program” by Joe Allison and Amanda Drinkwater, “iPad Apps for Band and Beyond!” by Robert W. Smith, and “Exploring Show Concepts in Design” by Michael Gray, Lee Carlson, Alfred Watkins, and David Vandewalker. One highlight of my day is the director and clinician lunch that I get to attend daily. I love talking with directors about the sessions they have been attending.
After lunch I was able to escape headquarters long enough to go check in on some student tracks. The color guard moved inside to escape the heat in the afternoon so they were doing some staging for their final show in the Sports Complex. The SWAGs in the color guard track have had “theme days,” and yesterday’s theme just happened to be Princess Day, which is my favorite day of the week! When I arrived, they already had a sash made for me that said “Princess Erin,” and they gave me a crown and a wand! They definitely have fun over in the color guard area of camp!
Later in the day I decided to go over to Emens Auditorium a little early to try to catch part of the Time for Three rehearsal. I’m going to forewarn you that I will absolutely GUSH about Time for Three. I think they are amazing! But on my way to check their rehearsal out, I got distracted by what I heard coming out of the University Theatre’s door that was ajar. I was really curious about what I was hearing so I wandered over to that stage and found out that the Directors’ Concert Band was rehearsing. It was pretty neat to see the directors in the seats where their students typically sit, and it was great to see them conducted by the one and only Alfred Watkins. They also sounded fantastic, and I ended up staying to watch longer than I had anticipated!
By the time I was done listening in on the director’s band, the Time for Three rehearsal was almost over. The Orchestra Track students were sitting in the audience, and you could tell they were very excited! Prior to this, the Orchestra Track had a few rehearsals with Time for Three’s Nick Kendall so they already knew a little bit of what was in store for them during the evening concert.
The evening concert opened with a wonderful tribute by Music for All’s CEO Eric Martin for Dr. Margot Lacy Eccles, a supporter and frequent patron of the arts, Time for Three, and Music for All. Dr. Eccles passed away earlier this week. Mr. Martin reminded us that our life is the dash between birth and death, and that we should all strive to have the type of “dash” that Dr. Eccles had.
After this touching tribute, the Time for Three concert opened with the playing of their new music video, and anti-bullying message, “Stronger,” an arrangement of Kanye West's “Stronger” and Daft Punk’s “Harder, Better, Faster, Stronger” and “Nightvision.” Here is what Time for Three says about this music video on their YouTube channel:
“We are Time for Three, and this is our story -- the story of so many kids who every day face challenges to who they are and who they want to be: their dreams, their ambitions, their identity. This video is for you guys. Be strong. Stick with it. We did, and we are stronger for it. http://www.tf3.com”
As someone who has seen the video several times I knew what to expect, but I have a feeling that the majority of the students in the audience had never seen the video before. It was shockingly quiet as the video played, which still astounds me because how do you get nearly 1,000 high school students in one room to be silent? But when the video comes to an end, and the student featured in the video is playing at his school’s talent show, every single student started clapping in unison with the audience in the video. You can find the music video for “Stronger” here.
Time for Three then came out and wowed the audience with their impressive style and passion for improvisation, composing and arranging – all prime elements of the ensemble’s playing. They transcend traditional classification, with elements of classical, country western, gypsy and jazz idioms forming a blend all its own. Time for Three is Zachary (Zach) De Pue, violin; Nicolas (Nick) Kendall, violin; and Ranaan Meyer, double bass who met at Philadelphia’s Curtis Institute of Music.
Time for Three played many selections, including arrangements of Leonard Cohen’s “Hallelujah,” and Imogen Heap’s “Hide and Seek.” The energy in the auditorium was electric, as Nick Kendall from Time for Three mentioned on several occasions.
“It’s awesome to play for other musicians, no, performers, who really listen,” Kendall said. “We get our energy from the energy you are giving to us.”
Last night I was in awe watching Time for Three, as I usually am when I see them perform, but my favorite thing about Time for Three is their passion and dedication to music education and the next generation.
Time for Three invited the 2012 Music for All Orchestra Track on stage with them to perform their last two pieces, “Hymn” (which Time for Three dedicated to Dr. Eccles) and “Orange Blossom Special.” The students received the music at the beginning of camp and have been working on these two, in addition to the pieces they will be performing during Saturday’s concert. Seeing their faces as they performed with Time for Three was awesome, and I’m sure the reaction from the audience made each and every one of those student’s nights. I know I was incredibly proud of them all.
After the concert I headed to the Vic Firth reception and got the chance to hear the Directors’ Jazz Band, and they were also incredible! It was awesome to see and talk with Vic Firth himself, who was in town for Summer Symposium.
As busy as yesterday was it ended in such a positive way that I couldn’t help but smile the whole way back to my dorm room as I thought about the day and all of the people I had the chance to talk with. Thank you to all of the students, SWAGs, directors, and fellow staff members that made my Thursday wonderful. Thank you to Time for Three, the Orchestra Track, and the directors’ bands for making me smile while watching their performances. I’m looking forward to joining the students and directors at the DCI show tonight and can’t wait for another awesome evening at camp!
-Erin Fortune, Participant Relations Coordinator at Music for All
This afternoon, I decided to go listen to the Concert Band Honors Recital in Sursa Hall. But, on my way, I stopped by to check in on the Drum Major Academy.
I caught the last portion of the Drum Major students’ afternoon, indoor session in Pruis Hall. Students were working on conducting patterns when I walked in.
“Do you see how different styles and patterns can affect the music?” Heidi Sarver, Drum Major Academy Coordinator, said.
It was clear from the couple minutes I observed that conducting styles and patterns really affect the music and the result. Students were working on a lyrical pattern that perfectly matched the feel of the expressive music.
I stopped to chat with Mitchell, a DMA student, on my way out. I asked how his week was going and also what the students had been working on throughout this session.
“I’m having a great week,” Mitchell said. “We’re working on the loop pattern and slide pattern.”
I looked at the time, and I realized I needed to head over right away to the Concert Band Honors Recital. I made it just in time as the first student ensemble took the stage.
Students had the opportunity to form small chamber ensembles – and choose the names for their ensembles as well. First, the Clarinet Choir named “TENIRALC01” took the stage. They performed Chorale: “Awake, Awake, The Voice is Calling” by Johann Sebastian Bach, arr. Lucien Calliet. The ensemble was conducted by Elizabeth Crawford, Assistant Professor of Clarinet at Ball State University, and included 10 students. I especially enjoyed the singing high notes that soared as the ensemble performed this piece.
Next up was the “Brassters Brass Ensemble,” a group of 17 students led by Tom Bough, Associate Professor at the Northern Illinois University School of Music. They performed a beautiful version of Ave Maria by Friedrich Burgmuller, arr. Pelz. The music was extremely lyrical and had a singing quality that was beautiful to listen to.
The “Michigan Wind Quintet” performed Presto by Franz Joseph Haydn. Keith Sweger, Professor of Bassoon at Ball State University, led this ensemble. This woodwind quintet had such a mature sound, especially for such young musicians! View a short video excerpt here.
The “Texas Brass Quintet” was up next and performed two pieces: O Canada and Bossa Nova. Both pieces were lovely and showed musical maturity (and as a horn player myself, I especially enjoyed the melodic horn line in Bossa Nova!) John Ellis, Professor of Music at The Crane School of Music, State University of New York at Potsdam, coached this ensemble.
I took a look out at the crowd, and I noticed Dr. Thomas Caneva (Concert Band Division Head and Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University) smiling and nodding as students performed. It was obvious he had a great deal of pride for the ensembles and the students’ hard work this week.
The next ensemble was a flute choir, coached by Mihoko Watanabe, Assistant Professor of flute at Ball State University. This ensemble chose the name “Gelatina de Morra,” which we were informed means raspberry gelatin. It’s a mystery why students chose this name, but it was interesting to learn the meaning! I’m sure it means something to the students who chose it. I had not heard a flute choir in quite some time, and their airy, tranquil and light melodies were lovely and seemed to float on air as the flute choir performed A la Relevée by Claude-Henry Joubert.
To close, the “Michigan Brass Ensemble,” coached by Gene Berger (Assistant Professor of Horn at Ball State University), performed Three Dances by Tilman Susato. This ensemble had a rich, singing sound as they performed the jaunty first movement of the piece. This piece featured three movements, and the third was a Pavane, or a piece with a slow tempo.
I enjoyed every piece on this afternoon’s recital; however, this last piece really moved me. Have you ever experienced a moment when you’re listening to music and the music itself is enough to evoke a mood or emotion? This movement was definitely very stirring, and it reminded me of all the wonderful, musical moments happening on the campus of Ball State University this week. And, it also reminded me that music really is powerful!
It’s hard to believe it’s already Wednesday evening of the Music for All Summer Symposium! Tonight, I had the opportunity to listen to the jazz students’ dress rehearsal with the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Emens Auditorium, prior to their performance this evening.
I was very impressed with the sheer enthusiasm of the ensemble. The combination of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra and all the jazz track students on stage was definitely impressive as well – they spanned almost the entire length of the stage, creating quite an impressive sound.
As I watched Mark Buselli rehearse the ensemble, he had so much energy and enthusiasm that the students couldn’t help but be enthusiastic as well. View this video of the dress rehearsal to learn more.
After the jazz dress rehearsal, I was excited to discover I had enough time to run across the street to the Music Instruction Building to catch the last half of the orchestra students’ Chamber Orchestra Rehearsal with Time for Three’s Nick Kendall.
The groundbreaking, category-shattering trio Time for Three transcends traditional classification, with elements of classical, country western, gypsy and jazz idioms forming a blend all its own. The members -- Zachary (Zach) De Pue, violin; Nicolas (Nick) Kendall, violin; and Ranaan Meyer, double bass -- carry a passion for improvisation, composing and arranging, all prime elements of the ensemble’s playing. Tf3 sets itself apart not only with its varied repertoire performed with astonishing technical acuity, but also through its approach. Its high-energy performances are free of conventional practices, drawing instead from the members’ differing musical backgrounds. The trio also performs its own arrangements of traditional repertoire and Ranaan Meyer provides original compositions to complement the trio’s offerings.
The trio also passes along strong, positive messages to young people. Their video, Stronger, relays the following message: “Be stronger, achieve your dreams, fight against bullies or WHATEVER strong force is against you.” You can view this video here.
As Kendall worked with the orchestra students on a piece called Hymn, he instructed students to play with feeling and really try to get into it.
“You guys can really just move with the music,” Kendall said. “If musicians look like [they’re thinking] ‘why am I here,’ it’s a waste of the audience’s time…believe in the moment and enjoy the harmonies.”
The results were immediate, and I watched students incorporate movement and really get into the emotional nature of the music, which was very lyrical and expressive. View a video from rehearsal here.
As the students rehearsed the next piece, Orange Blossom Special, Kendall instructed the students to put as much enthusiasm and energy into the piece as they possibly could in order to truly get as much out of the musical experience as possible. I watched the students giving it their all, even so late in the day at almost 7:30 p.m. It was inspiring to see them working so hard to achieve a musical goal.
As rehearsal came to a close, I chatted for a second with Clarice, a student from Indiana. I asked her what it was like working with Nick Kendall.
“It was different,” she said. “A lot of new things – we learned some improv, and it was fun!”
Right now, students are enjoying the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra concert at Emens Auditorium, and the jazz students will be performing on stage for a couple pieces that are part of this concert. And, orchestra students have a special immersion performance on stage with Time for Three tomorrow, June 28, at 8 p.m. at Emens Auditorium.
These special immersion performances give students an opportunity to learn and absorb important musical lessons that I feel also translate to significant life lessons.
I found this text on Time for Three’s website, as part of the description for their video I described above, and I think the philosophy and thought behind it make perfect sense:
“We are Time for Three and this is our story -- the story of so many kids who every day face challenges to who they are and who they want to be: their dreams, their ambitions, their identity. This video is for you guys. Be strong. Stick with it. We did, and we are stronger for it.”
Day two of the full week MFA Summer Symposium is coming to a close, and we’ve had a great start to camp! Today in the afternoon, I was able to take a break from my responsibilities in our staff headquarters to head out and watch some sessions.
First, I walked over to the quad to observe color guard students in their Equipment Technique and Repertoire teams. Students were rehearsing in small groups for their final performance on Saturday. I walked across the quad and stopped to watch several groups, including two groups tossing flags and another learning a dance routine. One group was working with flags and practicing a lyrical section of their routine, which was quite beautiful to watch.
I stopped to chat with two students during one of their water breaks. I asked Whitney, a student from Kansas, if she was enjoying her experience at Summer Symposium. She said yes, and I asked what she enjoyed the most. “Everything! It’s just all fun,” Whitney said.
I also chatted with Edyn, a second-year camper from Ohio. I asked if she could give me some details about what they were working on. “It’s a dance and routine for our show-and-tell performance on Saturday,” she said.
“It’s nice to see [and meet] these people,” Edyn said. “Since I live quite a long way away from most.”
Edyn lives in Ohio, and she said she has made friends with several students who live in Michigan.
I observed for a couple more minutes as one of the small flag groups performed a full sequence from their routine to music. Then I decided to visit the Directors’ Academy for a little while.
I walked over to sit in on a session with Mark Buselli, Jazz Band Division Coordinator and Director of Jazz Studies at Ball State University. I made it in time for the second half of his session, and he was deep in conversation with the attendees. This session was smaller and more intimate, which allowed directors the chance to truly have in-depth conversations about their individual situations.
The session was called “Preparing Your Band for a Jazz Festival,” and Buselli chatted with the directors present to give advice and answer questions about how to improve their respective jazz programs.
One high school director participant was discussing how she has volunteered to work with a middle school jazz program. It has definitely added a lot to her plate, but it was clear from the conversation that it’s important to her that the program not only stays alive, but also thrives.
“At first when you said you volunteered, I thought, ‘oh, this poor girl,’” Buselli said. “But, then I thought – that’s your feeder school, that’s brilliant! I think you’re very smart and on the right track.”
Buselli was very encouraging and helpful as he discussed the unique situations each of these teachers faces in their day-to-day work. He also talked about why teaching can be so satisfying, and it was inspiring to see the excitement in his face, and hear it in his voice, as he discussed this.
“As a teacher, I’ve come to the conclusion that I don’t care what level I teach, I teach to see the process,” Buselli said. “Young students – you can see so much progress over a short amount of time.”
Buselli also talked about the concept of active listening versus passive listening. He discussed an exercise teachers can use in the classroom. Buselli said to take five minutes of focused time and ask, “What is the bass player doing? How is the horn interacting with the piano player?” This is a way to focus on active listening and help students see that there’s more going on than just background music.
I took a moment at the end of the session to thank Mr. Buselli, and he also passed along a handout with some words I enjoyed reading. I left with these words in hand and contemplated them for a while today so it seems appropriate to leave them with you as well:
The Sweetness of Music
“As we approach a new century and a changing international economic climate, we think that scientific and technological education should be our highest priority. And yet these fields, at least the way they are practiced today, only tangentially affect the heart and soul, where morality and values are rooted, while music goes right to the heart.
Studying music, one learns about talent, thought, work, expression, beauty, technique, collaboration, aesthetic judgment, inspiration, taste, and a host of other elements that shape life in all its aspects. As we learn to control our fingers, lips, and breath in making music, subliminally, music is shaping us, making us people of sensitivity and judgment.”
-From Thomas Moore’s 1996 book: The Re-Enchantment of Everyday Life