Today's guest post is from our 2012 Patrick John Hughes Parent/Booster Award Winner - PJ Littleton from Franklin, Tennessee. Learn more about the Parent/Booster Award here.
Everything I ever needed to know, I learned at Band Camp.
"Let me leave you with this piece of advice: Set your goals high because it is very likely that you will achieve them. Make sure that whatever you aspire to do with your life (and it won't be marching band) that it is noble and worthy of the time and investment that you will make in it. If you compromise this, I promise you that in the end you will feel empty and disappointed for not challenging yourself to be all that your potential would have allowed. Don't let this happen. You are better than this. Give your life away for something good!"
I sat restlessly fidgeting in my seat in the Creative Arts Center Concert Hall at West Virginia University while these words were being spoken from the dimly lit stage by then Director of Bands, the legendary Don Wilcox. I just wanted to get outside, learn drill, play my horn. Hey, it was the first day of Band Camp. This was no time for a long lecture. Let's get on the field and do this!
Our "Chief" knew better.
Funny how thirty-four years later I have long since forgotten my dots in the drill, but these wise words still resonate deep within my core and have helped guide and shape me as a man, as a husband and as a father. This is just one of many lessons I learned while buzzing my pursed lips behind a mouthpiece.
Today you can find me in Franklin, Tennessee, straddling myself between two bands, The Hillsboro Middle School Band and The Franklin High School Band where I respectively serve as Band Booster President and VP of Fundraising. These days have become the days of my life as I aim to apply everything I learned from being in the band so long ago, now for the betterment of not only my two band kids but for the other 339 kids that I love.
Honestly, I'm tired. Really tired. I am sitting in the back row of the balcony of the fabulous restored Franklin Theatre right now, my face aglow from my iPad, listening to FHS alum and daughter of Vince Gill, Jenny Gill perform for a Franklin Football fundraising music event called "Punt, Pass and Pick.” Jenny just spoke of how much it meant to her attending Franklin High where she kept so busy with cheerleading et al that she was able to stay out of trouble and make great memories of her time in school. Some of our current Franklin Band set the tone tonight, kicking off the evening lining the aisles with spirited Rebel music to energize the crowd as they so ably do!
It's been mentioned more than once between songs how laudable it is that our Franklin parents care enough about their children to go to such great lengths to provide the very best experiences for them. We have been able to establish an inspirational and cooperative culture that will nourish not only the football program tonight but the equally admired (and respected) band program as well. This is a rare and wonderful thing--we are so blessed that we can boast of this.
The 45 graduated seniors from last season's BOA Jacksonville Regional Champions and Grand Nationals semi-finalist Franklin Band collectively received in excess of $5.6 million dollars in scholarship funds. This is an average of $125,000 per musician scholar! I contend that they too may have learned a few things at Band Camp as they now embark on the next season of their young lives.
Core Value #1 at The Franklin Band is Community -- "The community in which we live and our own community within Franklin High School shape who we are and in return, we shape it." I witnessed community at its finest tonight as I sat next to a fellow band booster executive board member as he shared band challenges and victories with a football booster standing behind him, listening with mutual appreciation, admiration and respect.
These are some of the things that I learned about life at Band Camp and this is indeed all I ever needed to know. And you know Mr. Wilcox, as it turns out, it was all about marching band for me after all!
"The only ones among you that will really be happy are those who will have sought and found how to serve." -- Albert Schweitzer
- PJ Littleton
We thank PJ for his perspective, the Franklin community is lucky to have such a great advocate! To learn more about PJ, read his 2012 Parent/Booster award story. Know an amazing advocate of your music program? Learn more about the Patrick John Hughes Parent/Booster award and how to nominate someone here.
Congratulations to all of the bands who participated in the 2013 BOA Regional Championship at Monroeville! While the weather was somewhat unaccomodating to us last Saturday, everyone took it in stride and made the day fantastic. As our good friend Chuck Henson pointed out on the BOA Facebook wall, "It certainly was a challenging day. But everyone pulled together and made it happen. No Rain or fog could stop the #excellence on Saturday! Congratulations to all!"
So again, congratulations to all who were a part of the Monroeville Regional. Directors, students, parents, staff, volunteers and fans - thank you for showcasing excellent attitudes and leadership. You truly were legendary!
Here are some photos from both the Prelims and Finals awards ceremony as well as a few photos taken by our staff. Looking for more action photos of your band? Jolesch Enterprises will have photos available on their website coming soon - so make sure youcheck here for group photos as well as action shots that they took at the event.
Looking for Results and Scores from the event? You can find those here. Shout out to our 2013 Monroeville Regional Champions: Norwin H.S.!
Congratulations to all of the bands who participated in the 2013 BOA Regional Championship at Kettering! A very special thanks to our hosts, Kettering Fairmont High School, it was a wonderful day and we couldn't have done it without all of the fantastic volunteers who helped us out all day!
Here are some photos from both the Prelims and Finals awards ceremony as well as a few photos taken by our staff. Looking for more action photos of your band? Jolesch Enterprises will have photos available on their website coming soon - so make sure you check here for group photos as well as action shots that they took at the event.
Looking for Results and Scores from the event? You can find those here. Shout out to our 2013 Kettering Regional Champions: William Mason H.S.!
Can't view this slideshow? Click here.
As we kick off the Bands of America Regional Championships this weekend in Kettering and Monroeville, the 2013 Bands of America Grand National Championships will be here in less than two months! This Throwback Thursday, I thought I would share my first Grand Nationals experience, as a member of the 2005 Centerville Jazz Band:
When my family moved to Centerville, Ohio my sophomore year of high school, the marching band was the first and only orientation to Centerville High School I needed. Coming from a small, rural school band that marched high-step and played pop tunes, the Bands of America world I stepped into was new and fascinating. For the first time, staff members were paying attention to every detail of my posture, movement and sound quality. At nearly every rehearsal, some mention of “The Dome” was included as we perfected our production, “BLUESprint.” “You’ll never forget the air lock at the Dome,” said most of my new friends. The hundreds of hours of rehearsal would supposedly be worth it once I reached “The Dome.”
As the evening rehearsals grew darker and colder, three months and an incredible first season with the Centerville Jazz Band was nearly finished. “Rock the Dome” posters for each section covered the hallway leading to the band room, filled with cheering band parents to send us off to Indianapolis. I knew something would be special about Grand Nationals after I learned that we would be attending a marching band competition instead of playing for the playoff football game that same weekend.
We boarded the buses Thursday morning, and I could barely stand the three months of anticipation. From the highway, I can remember first spotting the white roof of the RCA Dome. The indoor warm-up area was unlike anything I had experienced before. Hearing the other ensembles warming up across the pipe and drapes was hectic and distracting, and my nerves got the best of me. As we all gathered into the airlock, completely silent, our director gave us the last motivating words before our performance. “Hearts on fire, eyes cold as steel,” said Andrew Markworth. This phrase was handed down from Centerville Jazz Band to Centerville Jazz Band, creating a common experience for all alumni to relate. As the airlock opened and our wide eyes looked toward the fans, the expansive field and the incredible dome, everything clicked. We were able to hold everything together while soaking in one of the most life-changing experiences to-date.
We returned to Ohio for classes on Friday, but departed for Indianapolis after classes for the Prelims Award Ceremony. The RCA Dome was filled to the brim with students, parents and fans late Friday night to watch the 2004 Grand National Champion Lawrence Central and the exhibition Stephenson H.S. Marching Bands perform. The energy in the crowd was unlike anything I had ever witnessed. After prelims awards were presented and over 30 bands were announced for Semi-Finals, we headed to Pan Am Plaza for “Celebrate America!” The Riverside Community College and Stephenson High School bands provided entertainment as we awaited the performance order for the next day. For the finale of the evening, a spectacular fireworks display left us with “oohs” and “aahs” as we walked back to the buses. I was in complete disbelief that a marching band contest could warrant a fireworks display, let alone thousands of fans and a professional football stadium.
Saturday morning was a whirlwind of well wishes as we prepared for our Semi-Finals performance. The surroundings were more familiar this time, but the phrase was the same: “Hearts on fire, eyes cold as steel.” We were extremely fortunate to perform our show once more on Saturday night. There were quite a few tears in that last trip through airlock, but “Hearts on fire, eyes cold as steel” remained. After the performance, I watched our peers from across the country perform with such precision and passion I had not witnessed before, including Carmel’s unbelievable visual feats in “Suspended Symbols” and L.D. Bell’s incredible musical performance of “Lux Arumque.”
The Grand Finale celebration was a perfect capstone to the music-filled weekend. I can still remember distinctly my principal placing my finalist medallion during the ceremony. The intense emotions felt during that ceremony are still unmatched today, especially those final words from Chuck Henson, “Go for it – Break Ranks!” I met fellow high school musicians from across the country, sharing in the common Bands of America experience. Each of us embodied the positively-life changing experiences that made Bands of America events so special. After high school, I decided to pay forward my incredible experiences by volunteering at a Bands of America Regional. Six years later, I’m still involved and still indebted to Music for All’s mission, vision and core values. As a volunteer, intern, event staff and employee, I have constantly sought to continue the positively life-changing experiences I was afforded in high school.
Do you have a memory from your first Grand National Championships or other BOA event? Share it with us in the comments!
Today I nearly forgot about Throwback Thursday. It was a day full of writing and formatting our e-newsletter and spending way too much time looking at lines of code to make sure everything was just right (by the way- keep a look out for your September e-newsletter hitting your email Saturday morning!)
But the good news is, I remembered. Throwback Thursday is probably one of my favorite things to do- so I didn’t mind having to quickly skim through a few piles of photos I pulled from an archive box last week.
As I was flipping through photos- this one made me pause right away. There was something about the faces in this photo that just drew me in.
This is Plymouth Centennial Education Park (Plymouth-Canton, Michigan) in 1990 after they were announced as the Grand National Champions. Under the direction of Glen Adsit, they came in first place with a score of 95.35
So what strikes me about this photo?
It’s so familiar. When I saw this photo I couldn’t help but smile. The happiness on their faces just jumps out at you. I’ve seen those looks before.
Do you see what I mean? This is a photo of the Carmel High School Marching Greyhounds after they were announced as the 2012 Grand National Champions. 22 years between these photos. But the look on their faces is the same: pure joy.
Uniform styles change, hairstyles definitely change- but the joy felt when you are a Bands of America Grand National Champion is timeless!
Today's guest post is from Caleb Chapman, award-winning performer, author, music educator and producer and the 2014 Conductor of the Jazz Band of America, part of the Music for All National Festival, presented by Yamaha.
I have been blessed to have many fantastic mentors in my path to become the musician and educator I am today. Two of my absolute favorites are the legendary John Clayton and Dr. Lou Fischer. So, you can imagine how much of an honor it was when I was invited to follow both of them as director of MFA’s Jazz Band of America!
MFA has asked for me to describe a bit about my approach to directing a big band. While there are dozens of philosophies I espouse, there are two that immediately jump to mind.
Improvisation Defines Even Big Band Jazz
It is becoming harder and harder to identify what styles of music fall under the umbrella of jazz. But to me, the one constant is the element of improvisation. While many people associate this strictly with soloists, I love to carry it over into the actual performance by the big band as a whole.
As a matter of fact, as a director, I love to “play” the band like an instrument. I actually practice directing in the same way I do my sax, and take it just as seriously. Changing the dynamics of a section or the form of a chart on the spot creates a spontaneous excitement that the audience can feel. Altering the feel or texture behind a soloist creates new sonic environments to explore. The musicians become engaged at a much higher level than simply playing notes on a page.
While not squarely in the jazz wheelhouse, I had the opportunity to see this in action with a different type of band last week when I got to hang with Dave Matthews and my very good friend, GRAMMY-winning saxophonist, Jeff Coffin, at the Dave Matthews Band’s Utah concert. As I was watching the show from backstage, I was given in-ear monitors that allowed for a unique concert experience as I could hear everything the band said to one another during the show.
It was exciting to watch as Dave would change the form of the tunes on the spot, stretching solos or vamping. Drummer Carter Beauford would frequently give audible cues on how many hits the band would play. And the horn section of Jeff and Rashawn Ross would improvise backing figures for the soloists.
All of these elements kept the musicians on stage focused and playing at their highest level, creating a performance for the audience that night that will never be replicated in exactly the same way – a gift to the 17,000+ plus in attendance. That is the beauty of improvised music!
Chasing the Perfect Performance
One of my musical heroes, saxophonist Branford Marsalis said, “Humans are imperfect… We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.” While I agree that there will never be a perfect performance, I don’t think that should keep us from trying! I think because of its perceived loose nature, too often big band music doesn’t receive the diligent attention its classical big brother does. In actuality, there is absolutely nothing casual about a big band performance!
We all want to have the treasured “tight” band. One challenge has been that there is currently no universally accepted method to approaching the notated jazz language. I'm sure other big band directors can agree: it is critical that every musician on the bandstand interpret the charts the exact same way. Over the years, I collected some standard practices to approaching articulation, which has helped my students become unified while playing. This has made a huge difference because it allowed my students follow some key rules so that we can afford the space to improvise and play "within the lines" (Jeff Coffin and I recently published these methods in our book, "The Articulate Jazz Musician").
Once the language is defined, the other aspects of the music can be tackled. As they say, the devil IS in the details. Polishing dynamics, intonation, and groove allow the music to be played as the composers were envisioning. THAT is the difference between a pro band and a student ensemble, not the age level of the musicians. Is it possible to have high school aged musicians play like pros? Absolutely! Our Crescent Super Band here in Utah made up entirely of musicians ages 15-18 has been named Utah’s “Best Professional Band” in any style for 8 years running.
Directing a big band is one of the most fulfilling challenges in music education and getting the students motivated, challenged, and consistent is truly the best part. One of my favorite moments during a show is when the set is coming to a close and the band is at its peak energy. There really is no other experience in my life that quite compares with it! I am excited to be part MFA’s Jazz Band of America and can't wait to work with the talented musicians in this amazing ensemble. See you in Indianapolis!
Caleb Chapman is an award-winning performer, author, music educator and producer. For more information on Caleb's projects and educational innovations visit CalebChapmanMusic.com.
I know everyone was eagerly anticipating this week’s edition of Throwback Thursday. Well I’m happy to report that this week we are once again taking you back into BOA history.
Finding today’s throwback was no simple task. I searched through boxes of photos for something that represented 1985. I found thousands of other gems from before 1985 and after 1985 (you’ll see some of those in the coming weeks), but today 1985 was evading me. I pressed on because 1985 was a significant year and I wanted to showcase it.
1985 holds significance for a couple of reasons. 1985 was the year that BOA was “Soaring Into a New Decade” for their 10-year anniversary celebration!
But, today I chose 1985 for another reason.
September 5th, marks another anniversary in BOA history. Today is Debbie Laferty Asbill’s (our VP of Marketing and Communications) work anniversary. Debbie started working for Music for All (when Music for All was MBA) in 1985 as the Promotions Coordinator.
This is a MBA staff photo- I don't believe it was 1985, but pretty sure it was close! Debbie is in the front in the white.
For 28 years Debbie has been the creative mind behind Music for All’s brand and marketing initiatives. I know that I can confidently speak for everyone here at Music for All- we are so glad she made the decision to join the team back in 1985, and we are thrilled that she is here today, continuing on the tradition of excellence.
Happy Work Anniversary Debbie!
Do you have a BOA memory from 1985? Share it with us in the comments!
In today's throwback I want to take us all the way back to 1984, before Music for All was Music for All. 1984 marked a major turning point in history for this organization. Formerly part of a parent company, BOA separated to become a new self-supporting organization renamed Bands of America. This was also the year when Scott McCormick became executive director and when BOA filed for not-for-profit status.
But this photo we have chosen for today's throwback represents yet another big event in Bands of America history.
1984 was also the year when Grand Nationals moved to the newly completed Hoosier Dome in Indianapolis, IN. This photo features Norwin High School (PA) who were the 1984 Open Class Champions. They placed 2nd overall with a score of 90.85.
Do you have memories of marching in the Hoosier Dome!? Share them with us in the comments!
Erin Fortune is the Marketing Coordinator focusing on digital marketing at Music for All, and has been working with Music for All for three years, first in the Participant Relations department and now in marketing. She is a graduate from the Music Industry Management program at Ferris State University in Michigan and is a former Percussive Arts Society Intern and a Yamaha Corporation of America, Band and Orchestral Division Intern.
At the 2012 Grand National Championships we shared a story about our friend, Lucas Santos, from Cary Senior H.S. in North Carolina. Lucas was in the hospital recovering from a heart transplant while his band was marching at Grand Nationals.
Watch that story here:
We are happy to report that Lucas is doing great and is back with his band for the upcoming fall season! Thanks to Tabitha, a Cary Senior band parent, who sent us this photo of Lucas marching during band camp (and to Lucas’ mom for giving us permission to share it with the rest of the BOA family!)
On behalf of all of us at Music for All, welcome back, Lucas! We can’t wait to see you and the rest of the Cary Senior band this fall!
As many in the Indianapolis community have heard, a great man and music advocate, Tom Barnett, passed away earlier this month.
In his years of service as a volunteer with the Ben Davis High School Marching Giants, Tom Barnett saw state and national titles, performances in the most prestigious parades in the United States, a performance at the inauguration of President Ronald Reagan and of course, a countless number of BOA appearances.
As Gary Wishmeyer, Supervisor of Music Education Students at Indiana University, said “He loved our days of competing at BOA in Johnson City, as this would give him a few days to visit with other competing band parents and equipment crews from around the nation to share ideas and to build friendships. He was a great good will ambassador for Ben Davis and the bands from the state on Indiana”
In 2011 Tom was the much deserving recipient of the Patrick John Hughes Parent/Booster award. (Read Tom’s Parent/Booster story here.)
In a recent email, Ben Davis director David Cole told us:
“We would like to thank Music for All for helping us honor Tom as the Patrick John Hughes Parent/Booster Award recipient in 2011. Tom always felt so special for being recognized nationally. Tom asked me once, "How the heck did BOA hear about me?" We would just tell him that sometimes a person's actions are just too big to go unnoticed. You really made a hard working, selfless volunteer feel like a million dollars. Thanks!"
When someone like Tom Barnett is nominated for the Patrick John Hughes Parent/Booster Award- it is the LEAST we can do, to help showcase all of what they have been doing to support music education. In 2011 we had many deserving nominations for the Parent/Booster award, but in our opinion, Tom's nomination video was particularly special. One of the elements that stuck out to us were the STUDENTS who we heard on the video, expressing what a huge role Tom played in the success of the Ben Davis Marching Giants. The video ends with several students saying "We love him, we love him, we love you Tom." It truly was a beautiful video and just spoke volumes to what Tom meant to the Ben Davis Marching Giants community.
We want to share that video with you:
Tom’s hard work, selflessness and true love of his time spent with the Ben Davis Marching Giants did NOT go unnoticed. Tom was not only a beloved member of the Ben Davis Band and the Indianapolis community- he was a member of the Music for All/ Bands of America family.
Laura Blake, Events Manager at Music for All has many fond memories of Tom, even before she became an MFA staff member.
"I had the privilege of knowing Tom since I was a little girl. I was a follower of the Ben Davis Band program well before I ever started playing an instrument. I'm convinced that Tom, even at my young age at the time, taught me the best ways to load and pack a truck. I was that little kid who always wanted to help, and the skills I learned from Tom come in handy time and time again with my work for Music for All. But even through high school (and I wasn't a BD Kid by the way), college, and later my work at Music for All; I always looked for Tom at shows and events. I'd find him scoping out the lay of the land, always with a big smile and a hug, wishing everyone participating to have a great show!"
This post is in memory of a great booster, advocate and most importantly, a great human being. Everyone at Music for All feels fortunate to have crossed paths with Tom, and to call him a member of the Music for All family over the years. The Music for All staff, event staff, competing bands, EVERYONE who came across the Ben Davis Band, will all be missing Tom this fall. Our thoughts are with Tom's family and the whole Ben Davis Community, and as the Ben Davis students so eloquently put it in their nomination video two years ago, "We Love You, Tom."
When I was in high school, I always looked forward to the beginning of a new school year. There were pristine pads of paper, a Technicolor rainbow of brand new pens and fresh folders just begging for a doodle or two. There were new things to learn and a locker to decorate and fill with books. All of my color guard friends and I were still excited about what we had learned at band camp, knowing we would get the opportunity to show off soon. The year was filled with possibility and it was mine to shape.
With all the hustle and bustle that accompanies the start of school, it can be easy to get caught up in what needs to be done NOW. The marching season looms large for many of us and concert band season can seem like a distant dream. But it’s not too early to plan. Planning starts today for tomorrow's experiences.
You’re on stage, squinting past the lights to see if you recognize anyone in the audience. Your instrument is tuned, your music is open and you are ready. People who’ve become lifelong friends in the span of 5 days surround you and the nervous energy sounds like an electric buzz. The hours you have spent in sectionals, master classes and full rehearsals have all led to this moment. The conductor enters to applause, you sit up a little bit straighter, the baton raises and it begins.
That is the experience of participating in a Music for All Honor Ensemble, and that kind of life-changing experience really begins long before you set foot in the J.W. Marriott hotel in Indianapolis in March 2014. It begins long before the acceptance letters are put in the mail in November. It even begins before the September 15 application deadline. That experience starts TODAY. It starts when you fill out an application to be part of one of the Music for All National Honor Ensembles.
So as you crack open that new bottle of valve oil, restring your bow, pick up some fresh reeds; enjoy it. Savor this time when possibilities abound. But also take the time to learn more about the Music for All Honor Ensemble experience. Once you know more, the next step will be clear. Don't put off till tomorrow what can be done today. Apply for the Honor Band, Honor Orchestra or Jazz Band of America. Start making memories.
All of us at Music for All love hearing from students, directors and parents about what is happening in THEIR band and in THEIR communities! Every once in awhile, someone sends us a great message on Facebook, gives us a call, sends a letter, or shares a photo with us, just because. Words cannot express how much we love hearing from all of you who BELIEVE in music education! The following note was shared with us via Facebook this week and we thought we would share it with our extended Music for All family by posting it here on the blog. (With permission as always!)
"So excited for the upcoming fall marching season. We attended the BOA Lucas Stadium event last year and I want to compliment the volunteers...they were helpful and courteous. I am hoping my personal work schedule will allow me to volunteer at some point in the future.
I know all schools involved have and continue to work on their programs for 2013...I attached a photo of my son Nik I just took during the summer camp program at Jeffersonville High School, under the direction of Scott Cooksey. I think it is a nice representation of the focus the kids put into their practices.
Thank you for all your hard work and dedication to music!
Regards, Elke W."
Yes!- this photo definitely showcases that focus reguired in marching rehearsals! Thank you for sharing this photo and your kind note Elke, it definitely brightened this staff member's day!
Sign up for a high school summer camp and… spin alongside a world class drum corps?
That’s exactly what the color guard MFA campers got to experience! On Friday of the Summer Symposium, the color guard track spent the morning working with the members of The Cavaliers Drum & Bugle Corps color guard. A bright sun, clear skies and open grassy field awaited the campers as they prepared for what would be, for a lot of them, one of the most exciting moments thus far in their color guard careers.
The Cavaliers session was broken into two blocks, with the first part of the morning focusing on movement and the second on equipment. At each block’s beginning, the students sat and watched The Cavaliers staff give a demonstration, taking the color guard through exercises and choreography. The campers got to see a snapshot of the technique exercises that the Cavaliers do every day, such as dance basics, across-the-floor dance exercises, flag drop spins and Peggy spins, a flag backhand exercise, and a spins-and-stops exercise on rifle.
This was a great experience for our color guard students. First, they learned that even the biggest, best and most well-known groups still do the same simple, basic exercises that their high school groups do (such as flag drop spins)—and that mastering these “building blocks” skills and learning to control their bodies and their equipment is so very important. On the other hand, seeing the more advanced exercises (such as the spins-and-stops exercise, which incorporated various dance and body movements simultaneously with rifle spins, tosses and catches) gave the students a picture of how their craft can be taken to the next level.
After watching the demonstrations, students broke into small groups and spread out across the Quad to work up-close and personal with The Cavaliers guard. After learning a new exercise, they would come back and everyone—the MFA students with The Cavaliers—would do the exercise together as a group.
The most exciting part of the morning, however, was when the campers actually got to learn some choreography from The Cavaliers’ show. Students picked up either a flag or a rifle and broke into small groups once again. A good chunk of the session was spent with the group spread out on the Quad learning this work before everyone came together once more to perform the choreography as an ensemble.
This session for our color guard campers was exciting, challenging, a lot of fun and certainly a once-in-a-lifetime opportunity. The Cavaliers color guard, made up of members who have all worked hard to become the well-trained and talented performers that they are, serve as great inspiration for our students, many of whom are still very new to the color guard activity. The young campers still have a lot of growing and learning to do, but this session certainly marks a monumental day in their color guard careers.
A BIG thank you to the Cavaliers guard for sharing their time with us at Music for All and for helping to create a positively life-changing experience for our campers!
Carolyn Tobin is the Marketing Intern at Music for All. Drawn to all that is digital media, she was an award-recipient of the NMU Tube Student Video Contest and was named the Outstanding Graduating Senior in the Communications and Performance Studies Department at Northern Michigan University. She is a devout runner, and has also enjoyed blogging about her adventures living in Spain and Argentina. Carolyn is a music, dance and color guard enthusiast, the former color guard section leader of Legends Drum & Bugle Corps from Kalamazoo, and she has served on the guard staff for Legends and for Marian University in Indianapolis.